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Manchester by the Sea
7.4/10 by 427 users
Original Title: Manchester by the Sea
Also Know As: Manchester by the Sea
Release: 2016-11-18
Runtime: 135 min.
Genre: Drama
Country: United States of America
Subtitle: English
Stars: Casey Affleck, Michelle Williams, Kyle Chandler, Lucas Hedges, Gretchen Mol, Tate Donovan
Plot: After his older brother passes away, Lee Chandler is forced to return home to care for his 16-year-old nephew. There he is compelled to deal with a tragic past that separated him from his family and the community where he was born and raised.
Lee Chandler

Characters : Lee Chandler

Actor : Casey Affleck

Randi Chandler

Characters : Randi Chandler

Actor : Michelle Williams

Joe Chandler

Characters : Joe Chandler

Actor : Kyle Chandler

Patrick Chandler

Characters : Patrick Chandler

Actor : Lucas Hedges

Elise Chandler

Characters : Elise Chandler

Actor : Gretchen Mol

Hockey Coach

Characters : Hockey Coach

Actor : Tate Donovan

Silvie

Characters : Silvie

Actor : Kara Hayward

Sandy

Characters : Sandy

Actor : Anna Baryshnikov

Jeffrey

Characters : Jeffrey

Actor : Matthew Broderick

Jill

Characters : Jill

Actor : Heather Burns

George

Characters : George

Actor : C.J. Wilson

Wes

Characters : Wes

Actor : Josh Hamilton

Sue (Angry Boss in Boat Yard Office)

Characters : Sue (Angry Boss in Boat Yard Office)

Actor : Erica McDermott

Stan Chandler

Characters : Stan Chandler

Actor : Tom Kemp

Nurse Irene

Characters : Nurse Irene

Actor : Susan Pourfar

Dr. Muller

Characters : Dr. Muller

Actor : Robert Sella

Marianne

Characters : Marianne

Actor : Quincy Tyler Bernstine

Mrs. Olsen

Characters : Mrs. Olsen

Actor : Missy Yager

Mr. Emery

Characters : Mr. Emery

Actor : Stephen Henderson

Tom Doherty

Characters : Tom Doherty

Actor : Shawn Fitzgibbon

Josh

Characters : Josh

Actor : Liam McNeill

Rachel

Characters : Rachel

Actor : Danae Nason

Young Patrick Chandler

Characters : Young Patrick Chandler

Actor : Ben O'Brien

Dr. Bethany

Characters : Dr. Bethany

Actor : Ruibo Qian

Mr. Martinez

Characters : Mr. Martinez

Actor : Richard Donelly

Mrs. Groom

Characters : Mrs. Groom

Actor : Virginia Loring Cooke

Sharon

Characters : Sharon

Actor : Mary Mallen

Suzy Chandler

Characters : Suzy Chandler

Actor : Chloe Dixon

Karen Chandler

Characters : Karen Chandler

Actor : Ellie Teeves

CJ

Characters : CJ

Actor : Christian J. Mallen

Joel

Characters : Joel

Actor : Oscar Wahlberg

Otto

Characters : Otto

Actor : Jackson Damon

Janine

Characters : Janine

Actor : Jami Tennille

Father Martin

Characters : Father Martin

Actor : Allyn Burrows

Jerry

Characters : Jerry

Actor : Brian A. White

Wes's Assistant

Characters : Wes's Assistant

Actor : Wendy Overly

Manchester Pedestrian

Characters : Manchester Pedestrian

Actor : Kenneth Lonergan

Investigating Detective

Characters : Investigating Detective

Actor : Brian Chamberlain

Fire Marshall

Characters : Fire Marshall

Actor : Joe Stapleton

1st Businessman at Bar

Characters : 1st Businessman at Bar

Actor : Lewis D. Wheeler

2nd Businessman at Bar

Characters : 2nd Businessman at Bar

Actor : Anthony Estrella

Mourner (uncredited)

Characters : Mourner (uncredited)

Actor : Amanda Blattner

Bar Patron (uncredited)

Characters : Bar Patron (uncredited)

Actor : Kt Baldassaro

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Dave

A Review by Dave

by Dave

"I watched this movie based on its high score, I found the movie to be too long and maybe should have been edited down to 90 minutes or less. I usually go for exteneded versions of movies as I like to really get into the characters and don't normally like it to be over to quickly. This was one of those occasions where instead of entertainment it was a chore to watch, I didn't find the actors performances anything special or the context of the story. Overall very boring and if I am going to score this it would be a 1 out of 10. I did stick with it to the end and gave it its best shot, but not for me."

lasttimeisaw

A Review by lasttimeisaw

by lasttimeisaw

"American dramatist Kenneth Lonergan’s third feature, after his career has been punishingly stalled by the ill-fated MARGARET (2011), made in 2005 as a much-anticipated follow-up to his sterling debut YOU CAN COUNT ON ME (2000), then embroiled in the lawsuit purgatory with the film’s producers and only would be permitted for a limited release 6 years after, MANCHESTER BY THE SEA impacts as a resounding comeback and it is as good as you can get while toiling away with thumping grief and inconsolable guilt. Lee Chandler (Affleck), a building janitor in Boston, he is the dour and withdrawn everyman type who distances himself from rest of the world and occasionally courts unwarranted bar brawl to unleash the smothering anger, so routinely the film will slowly mine into his profoundly buried tale-of-woe which would explain how he has fetched up to the current walking-dead state, and in this case, it is a helluva calamity, the most heart-rending accident could ever happen to a parent, and he has no one but himself to answer for. Receiving the news that his brother Joe (Chandler) died in a sudden heart attack, brings Lee back to his hometown, the titular Manchester-by-the-Sea where flashback adroitly interleaves into the narrative to refresh Lee’s memory (edited with pellucid correlations with what he experiences now) where the concealed secret incubates, and would eventually unfolds in the murky, snow night accompanied by Tomaso Albinoni and Remo Giazotto’s ADAGIO IN G MINOR, a sublime sequence transmits a synesthetic frisson which can knock dead its armchair viewers. In Joe’s will, he names Lee to be the guardian of his son, the 16-year-old high-school jock Patrick (Hedges), which takes Lee aback, a resultant, seemingly life-affirming uncle-nephew bonding process takes its spin sensibly on veracity and wrestles with both Patrick’s suppressed grievance toward his father’s demise (Lee’s heart condition has been long diagnosed, so that it is more like a time-bomb ticking situation), and Lee’s attempt to re-settle in the town on the face of aghast memories and unrelieved penitence, in a pivotal scene, when Lee’s ex-wife Randi (Williams) pleads him for forgiveness and reconciliation after she has been finally capable of moving on to form a new family and embrace a new life, but feels obliged to proffer some extrication for him too, but things are different for the culpable party, not everyone can make peace with the past, however rational it might sound, some pain can be alleviated through time but other stays, thus one must brave himself to live with it for the rest of his life, that is the affirming life-philosophy Lonergan tries to pass on to his audience through studiously delving into the realistic double-bind based on an über-dramatic back-bone, which appears to be an abiding mythos in all his three directorial works to date. Casey Affleck finds his footing in inhabiting Lee with a simmering intensity underneath his alternatively inscrutable/apathetic/distraught veneer, a performance is so aptly up his alley (a combo of hang-dog frustration and whimpering elocution) and to call it the performance of the year wouldn’t be such a stretch. Michelle Williams, shoe-horned in a peripheral role, but manifests herself as a sniveling and imploring scene-stealer just in one scene, she dangles us with immense curiosity about how her character has gone through the catastrophe, but essentially this film is Lee’s story. Lucas Hedges gets a windfall for being cast in a plum role and nominated for an Oscar, which could be a double-edged sword for the future of his budding career, but as credible and affecting as his portrayal is, the credit should mostly given for Lonergan’s well-rounded script of a rather bratty teenager; also Kyle Chandler is virtually next-in-line for a renaissance on the big screen after starring a string of high-caliber Oscar-baits, from ARGO, ZERO DARK THIRTY (both in 2012), to THE WOLF OF WALL STREET (2013), CAROL (2015) and now this, all in small roles but his presence looms larger each time. The cinematography is bracingly crisp and un-showy, a modest production design and an unobtrusive score borrows many classical pieces, MANCHESTER BY THE CITY is a contemplative continuation in the aftermath of a latter-day Greek tragedy, which elevates Lonergan’s status as one of the most outstanding cinematic story-teller currently from USA soil, and one can bet, co-producer Matt Damon must secretly rue the day that he couldn’t commit himself to Casey's role which would have earned him a coveted Oscar statuette as an actor, and in hindsight, his preference to star in Zhang Yimou’s Chinese monster fantasy THE GREAT WALL (2016) now looks like a dumb decision."

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